Monday, May 21, 2012

Shawbrook Dance Mecca/ Irish Times Feature


It has been a busy few months.  Apologies, I haven't been able to update my blog in a while, but now that the sun came out, and exhibitions are well and truly launched, I am going to attempt an update today.  A couple of months ago I went on a little jaunt down to a secret Mecca in the middle of nowhere to catch up with Anica Louw and hear about her Longford Dance Festival.  Here is the feature I wrote on this happy and inspiring topic that was published in the Irish Times on April 13th: 

The middle of nowhere in County Longford is not the most obvious spot to stumble upon an international dance Mecca.  But that is exactly the kind of strange fruit that has sprouted up on a former dairy farm just outside Legan since the arrival of South African ballet dancer, actor, and expeditionista Anica Louw in 1978.  Intending to take a short breather from a series of far-flung archaeological expeditions, the intrepid Anica came to visit Longford farmer Philip Dawson who she had met in South Africa while he was doing a stint there as a young engineer.  The rest is dance history.   

Soon, the diminutive South African was teaching ballet to Longford locals.  Philip converted one of his barns into a dance studio, engineering a pulley system to fold old bus seats up into the barn ceiling, tucked away until they were needed for end-of-term performances.  Gradually he built more studios, a summer house and kitchen, a dinky tree house, and dormitories for the dancers who would eventually find their way to this Annaghmakerrig of dance – mostly through word of mouth.  The cattle were sold in 2000, and a rambling forest of 150,000 broad leaf trees were planted for artists to wander through while dreaming up new creations.  Michael Keegan Dolan’s internationally renowned Fabulous Beast Dance Theatre have created all but one of their shows in this magic space.

You are hit by creative ions floating around the farmhouse courtyard the minute you set foot in Shawbrook.  You could run into anyone here, from London opera composers and costume designers, to Royal Ballet dancers like Simon Rice and Slovakian contemporary dancer Vladislav Soltys - who will both be judging the Irish National Dance Awards, and giving masterclasses in the 2012 Longford Dance Festival.  Liam O’Maonlaoi is a recent addition to the Shawbrook Pantheon too after creating “Rian” here last year with Fabulous Beast Dance Theatre.

When I arrive on St. Patrick’s weekend, I am greeted in the summer house by Anica and Faroese dancer Kristina Sorenson Ougaard who is here on a residency mentoring Shawbrook Youth Dance Company.  Kristina and her Faroese colleagues composer Jens Thomson and actor Kjartan Hansen are about to create a show inspired by Faroese mythology called “A Voyage into the Faroes”, to premiere in Anica’s “Longford Dance Festival” at the Backstage Theatre in four weeks time. 

They are regrouping after their St. Patrick’s Day Flash Mob in Longford.  The next Shawbrook Flash Mob, this time to Leonard Cohen’s “Hallelujah”, sung live by Melanie Zink, will be unleashed on Longford Town Square at 1pm on April 12th to launch the festival. 

Anica, now in her 60’s, is just back from a session on a Longford treadmill “on its steepest incline” wearing a stuffed backpack, training for her next solo expedition. No less of a free spirit than she ever was, her most recent expedition was to be to Lhasa, but when she got as far as Kathmandu, access to Tibet was unexpectedly closed so she settled for climbing in the Himalayas instead. Together with Chantal McCormick of Fidget Feet aerial dance theatre company, who lives closeby in what has turned into a most unlikely artist’s hamlet (Keegan Dolan and other dancers are also neighbours), they brought a show called “Invoke” to the famous Burning Man Festival in Nevada Desert in 2010. McCormick will also be giving a workshop in the imminent festival.

Sorenson Ougaard tells me she first came across Shawbrook when, “blown away” by Keegan Dolan’s “Giselle” at the Barbican Theatre in London, she got in touch and followed the crumb-trail to the place of Giselle’s creation.  A graduate of “The Place” school of dance in London, Kristina signed up for Shawbrook’s Advanced “E” Course, with Keegan Dolan.  This led to her current Shawbrook residency and to the creation of her Faroese co-production which will be shown in Torshvan, Faroe, one of the world’s smallest capitals after its Longford premiere. 

Anica has started, and continues to nurture many careers in dance here, but her biggest success story is that of local Marguerite Donlon, whose Donlon Dance Company in Saarbrucken, Germany, is now one of the most renowned contemporary dance companies in mainland Europe.  In 1980, at the age of 15, Donlon was a champion Irish dancer who loved to dance, sweeping the boards at Feiseanna Ceol.  Though late to start for a ballet dancer, Louw, who had just arrived, took Donlon on, and soon Donlon’s extraordinary Bournonville-style footwork catapulted her from performing for Peter Schaufuss in the English National Ballet, to being a soloist in the Deutsche Oper Berlin.  Donlon’s innate choreographic flair brought her to Saarbrucken where she established her own Donlon Dance Company.  In 2001 Anica’s 2nd Longford Dance Festival introduced Donlon’s unique mix of traditional Irish footwork and ballet back home to Longford’s Backstage Theatre. 

As well as “A Voyage into the Faroes”, the Festival, whose remit is to nurture local contemporary dance will also feature Louw’s own ballet “Pearly Beach”, named after a beach the Festival Director and Founder grew up near on the South African Cape.

For more info see www.shawbrook.org

Saturday, March 24, 2012

'Sustainability in colourful Malawi', in Village Magazine



All photographs are by Deirdre Mulrooney.
Deirdre's trip to Malawi was kindly supported by the Simon Cumbers Media Fund. 

Thursday, February 9, 2012

Tune your wireless to Newstalk for "Irish Monsoon Wedding"

Irish Monsoon Wedding: Radio Documentary Newstalk 106-108FM, Feb 26th

In this heart-warming love story, The East meets the West, The Sea meets the Hills, and Darjeeling harmonises with the Cork lilt as Eileen and Brendan O’Brien make the long and arduous trip from Cork to the foothills of the Himalayas to give their only daughter Emma away in an elaborate Nepali wedding ritual involving destiny, and many bottles of whiskey… Irish Monsoon Wedding tells what has once again become an archetypal Irish story - of parents coming to terms with the loss of their children to foreign shores, or, in this case, to a far-off mountain-top above the clouds in India.  Bittersweet tears are balanced by the joy of a colourful, intercultural wedding celebration complete with intricate Nepali rituals. This exotic tale unravels against a backdrop of Edith Wilkins’ wonderful Centre for Street Children, and Fair Trade Organic Darjeeling Tea, available for sale here in Dublin and Cork.  Tune in for a monsoon of tears, of singing, of laughter and of course that essential ingredient for any love story - true love.

9am, Sunday February 26th, on Newstalk 106 – 108FM
A Deirdre Mulrooney Production
Sound Supervision by John Davis

Sunday, January 15, 2012

My chat with Jonathan McCrea of Newstalk on TCD's Malawi Thermo-Electric Generator Project


I had a great chat with Jonathan McCrea of Newstalk's "Futureproof" science show about the TCD Malawi Thermo-Electric  Generator Pilot project last week.  You can have a listen here:

  Futureproof, Newstalk - Jonathan McCrea interviews DMulrooney on TCD Thermo-Electric Generator by Deirdre Anne Mulrooney

For some more background on what the TCD M-Power Stove Project is all about, watch this video, which was made to be screened at the Clinton Global Initiative in New York, in September 2011: 



My December 2011 trip to Malawi was kindly supported by the Simon Cumbers Media Fund.

Malawi by Minibus



Hear about my road trip in Malawi on RTE World Report today by clicking here.  


For my first trip within Malawi I was instructed to be at Lilongwe bus station by 11am SHARP for an AXA bus to Balaka. When I got there, I was told “The floor fell out of the bus”. Lesson Number One: there are no bus timetables – show up, or stand at the side of the road, and hope for the best.

I resorted to the dreaded mini-bus – which is how most Malawians get around, if they can afford it, many standing for hours.  Hordes kept piling in after the small vehicle was full. I took some iphone photos as my luggage was roped up and made into a seat for others. Too late to jump out, I took a deep breath, and invoked my new mantra: TIA.  (This is Africa).

A coach drove past whose entire windshield on the driver’s side was shattered and held together by masking tape – blocking the driver’s view.  I nearly got into that bus.  Things could be worse.

Out various minibus windows during my Malawian sojourn, I saw post-apocalyptic, scenes of people running around in rain and fork lightning with yellow jerry cans of petrol in a traffic jam outside Lilongwe.

Filling up at a bootleg fuel station at the Mozambique border, where the siphoning was not a precise art, there were plenty spills, and, on these spills, people putting out their cigarettes…


After my assignment I had hoped to stick around in Malawi, ‘the warm heart of Africa’ and one of the least developed nations in the world to explore lake Malawi, Malawian culture, and whatever else might catch my fancy.  However, lack of fuel – a common occurrence here – has ground this friendly country to a halt….


Petrol stations were encircled by kilometre-long queues for fuel.  People slept overnight in their cars, in the hope of a drop of diesel. “You have come to Malawi at a bad time”, I was told…

The reason?  No “forex” – or foreign currency.  Democratically elected president Bingu Wa Mutharika had recently expelled the British Ambassador, and hence Malawi’s primary donor.  Papers were full of his refusal to apologise to the new Zambian president who he had also expelled before he was elected.  Additionally, he was on bad terms with Mozambique, through which he was supposedly building a canal to the sea, to improve the trading fortunes of this landlocked country.  Earlier in the year he had deported tobacco dealers for not paying his minimum prices.  Actually, the President’s only friend in the area is Robert Mugabe.  
In the meantime, while hours of parliament time are devoted to topics like a law criminalising public farting, only 10% of Malawians have access to grid electricity.  The majority cook on woodfire stoves, three times a day, the equivalent of bringing the barbeque indoors– and as hazardous to their health as smoking 20 cigarettes per day.


When the sweet smell of diesel finally filled the hot air again for a short while, I heard a loudspeaker in the distance.  Uh Oh. Just a few months earlier, fuel shortages had led to the July anti-government demonstrations, when 19 people were killed by police.  Then I made out what they were saying. “Jesus loves you”.  “There is only one God”. 

“It is God’s will” is a common refrain in peace-loving Malawi - the only country among the world’s ten poorest never to have had a revolution. No, I wanted to tell them, it is not God’s will that you have no fuel, no electricity, and dodgy internet connection.     
In my last few hours in Balaka, I ran into Malawi’s most famous singer of “rock bottom African reggae”, Lucius Banda, and put this to him. He told me how in 2004 the same time President Mutharika was elected, he had been elected MP for Balaka.  When Mutharika then invented his own party, Banda declined his invitation to join, instead proposing a law that would allow for impeachment of a president. The singer-turned-politician was immediately accused of forging his primary school certificate, and emprisoned. Fearing the safety of his family, he apologised, and is now expelled from politics.  Instead he sings subversive songs, and writes occasional letters to the president – he promises one at the end of this month. Our chance meeting was all I got of Malawian culture. Unfortunately, with Malawi’s fuel shortages, bad infrastructure, and poverty – he could be singing the same tune for some time to come…






SUPPORTED BY SIMON CUMBERS MEDIA FUND.